And I was feeling even less optimistic about the whole thing this morning, when the alarm went off at the ungodly hour of 6.45 (does that time exist on a Saturday morning) and I hadn't had a very restful nights' sleep...
But I dragged myself there and met the fellas - Steve, Mark, Col, and Neil, and we caught the train up to Vic and the 52 bus to the RAH.
The sight that greeted me was a strange one. The exterior of the Albert Hall was just swarming with bandos of all shapes and sizes, warmly greeting each other in that 'I haven't seen you since last year's competition' type of way, and excitedly talking about the action that was to unfold. It was quite surreal - and then I saw someone I hadn't seen in a while, Karen Ford - and I became therefore inadvertently inducted to the first phase of the bando - the greeting phase. Although we greeted each other with hugs rather than the dignified, gentlemanly handshake and nod the others were displaying.
We then headed into the auditorium, and made our way to our seats. We were up in the top gallery, slightly off centre and to the left of the stage, but we had a very good view and of course, the acoustic was phenomenal. Before the main event took place though, Steve rushed off to the foyer again to pick up some scores and a few programmes, so we would know who was playing - because in the world of the brass band competition, the names of the bands are never announced, nor do they run in alphabetical order or something. No, each band is given a number in the playing order, and that's when they play. This is so the adjudication can be completely fair - the judges never see the bands perform, they are in a box in the centre of the auditorium with a green light on top. They have 2 little air vent things on either side of the box, from which they can hear audience response, and I believe they get their actual audio from the mikes placed strategically throughout the band. After the 10th band they get let out of their cage for a wee and a sandwich, and then they're back in there for another 10 bands.
The other thing about this competition is that the bands only get a limited amount of time to prepare the set piece - I think about 3 or 4 weeks. The piece this year was written by Kennenth Downie, a Salvationist who has published quite a lot of brass band music in the Salvation Army. This piece was Concertino for Brass Band - and surprisingly it was very listenable, and quite enjoyable. Just as well - I'm going to hear it 20 times after all, and it would be a tough ask if the music was a pile of crap.
The first band out of the gate was Grimethorpe Colliery, who actually have won the competition for the last 2 years, and were going for the hat-trick. They started playing, and several hundred peoples' heads dropped, as they stared intently at the score, ready to catch out any player who was going to make a doozie of a mistake. The piece is actually (according to Steve) quite playable - I couldn't see how, there was too much ink on the page for me, if you get my drift - too many notes to be played extremely quickly. But if you looked at the music in closer detail, there were a few key areas which were going to catch the bands out - the pp top A for the soprano at the end of the 2nd movement, for example. Anyway, Grimethorpe did a sterling job, except that the soprano played the last chord a whole beat earlier than the rest of the band. I thought, bewdy, that's it - the other 19 can go home. But band after band came on, and they were actually pretty good.
After about band 7 the pressure on my bladder was becoming too much to bear - and with another 3 bands before the judge's potty stop, thus taking an hour - it was time for a wander. But once you leave, you can't come back in during the piece - so Col, Neil and I headed off to the Elgar room, where there was a trade display of brass instruments - and that's when things started to go a bit pear-shaped for me...
I was quite happily minding my own business, having a look at the tubas (as we need to buy a few for school) when a little old man, probably 85 not out, approaches me and starts yapping on about how he doesn't like the multi-coloured baritones (they had a mix of silver and gold plated slides). Ok. I agreed with him, and then went back to the bubas, when he leaned in closer (yuk) and starting asking me about what instrument I play, what am I interested in, why was I here at the competition, what did I think of the last band... yada yada... I tried being polite, and then I tried being blunt, but he didn't pick up on the message, and kept on at me. He took me over to introduce me to Mr Tuba, a company that specialises in reconditioned tubas. I tried all manner and means to escape, but it was not forthwith, and eventually, through desperate, frantic, furtive, panicky glances over at Col, he came over to my rescue. But not before the lovely Maurice gave me his card (crossing out the incorrect phone number and writing the correct one on it)! Grab your coat honey, you've pulled!
Boy did I hear no end of it when I got back to the other fellas. But as if that wasn't bad enough, the old fella next to Neil, when Neil went out to visit with some mates, leaned over and started up a yap about the current band's performance and so on, and which band he thought was the best... aaahhhh!!! But the total piece di resistance, was when the old guy got a cramp in his bits, and stood up as if to swannee off the balcony, and then fiddled about with them! Aaaaaaggggghhhh!!!!
The competition though was very good, although I disagreed with the winner - Black Dyke. We all thought Leyland should've won, they gave the cleanest, most musical performance of the day, whereas Black Dyke, (what an unfortunate name for a band) cheated on the last note of the 2nd movement, by having some players use mutes and having the others turn in, away from the mikes, so they could blow louder and yet have it sound quieter - thus enabling them to get the note.
Despite the thrills of Maurice and the old fella with the cramped bits (be still my beating heart), it was a thoroughly enjoyable day and I would easily go again - am I becoming a bando? Heaven forbid....